On The Children’s Book Review, author Lori Calabrese breaks down how books relate to child development and the importance of picture books:
We all want what’s best for our kids and like the Army commercial, we want them to be all they can be. But parents can often succumb to the pressures of society and other parents to compete. That’s why some parents buy everything imaginable to get their baby to read, they enroll their children in the most expensive preschools, and even skip picture books and encourage their children to move on to more text-heavy chapter books as a means to advance their skills for rigorous standardized testing.
It’s not a new issue, but it was recently brought back to the forefront by the NY Times article “Picture Books No Longer a Staple for Children.” The article sadly reports that “The picture book, a mainstay of children’s literature with its lavish illustrations, cheerful colors and large print wrapped in a glossy jacket, has been fading.” Although the article reports that staples from Maurice Sendak and Dr. Seuss still sell, publishers have scaled back the number of titles. Citing the economic downturn as a major factor, the article points out that many in the industry see an additional reason—parents.
But while these parents are pushing their kids to be on top of the game, they don’t realize that the intensive coaching can be counterproductive and they’re missing out on an important genre, critical in the role of a child’s development—picture books.
10. Chapter books are not necessarily more complex than picture books and in fact, their vocabulary and sentence structure can be considered simplistic when compared with older-level picture books. Many picture books are written at a higher reading level, use amazingly complex vocabulary, and offer interesting plots.
9. The illustrations of a picture book help children understand what they are reading and allow young readers to analyze the story. When children are having difficulty, the illustrations can help them figure out the meaning of what they are reading. The illustrations are also a powerful way to help English learners comprehend the story.
8. Children love art. Why do you think they spend so much time coloring, drawing, and doing crafts? Whatever the reason children are drawn towards a book, it’s a means to get them to read.
7. Language: Picture books allow children to practice the sounds of language and as parents, it’s our responsibility to introduce new and interesting words at every opportunity. The rhythm and rhyme in many picture books make for a great read-aloud and children learn words more easily when they hear them spoken often.
6. Repetition: The repetition in many picture books allows a child to participate in the story. Young readers get excited when they can anticipate a forthcoming line and children learn skills like phonemic awareness, phonics, comprehension, and fluency.
5. Picture books are multi-sensory, which aids a child’s growing mind and stimulates their imagination. Not only do the children hear the story, they see the illustrations and smell and touch the pages.
4. Picture books can be a useful tool for teaching the concept of cause and effect. Before reading a picture book to your children, tell them to listen for keywords such as because, so, if, then, as a result of, etc. These types of words can usually be found in a story that has a cause-and-effect relationship.
3. Picture books help develop story sense. Children learn the beginning, middle, and end of a story and can often relate to the age-appropriate issues and conflicts presented in a picture book.
2. Picture books allow an entirely different, more interactive communication between parent and child. Picture books allow parents to spend time talking with their children about the story, pictures, and words. This interaction builds reading comprehension. Picture books allow you to talk about what you see on each page, so be sure to talk about what happened in the story, ask about the characters, how they are feeling, and the events that took place.
1. Picture books are fun and the key is to always make the reading experience fun and a time to look forward to. Reading should never be perceived as a chore. If you make reading a chore early on in a child’s development, they might grow to resent reading. Children who don’t naturally progress from picture books to chapter books may translate reading into working – more specifically, working that isn’t much fun.
It’s unfortunate that parents are pushing their kid’s past picture books, just as some turn up their noses at graphic novels and magazines. It’s important to encourage your kids to get their hands on everything they can, including picture books, comics, and even kid-friendly websites. It doesn’t matter what they read as long as they read and children who learn to love books will be children who grow up to be good readers.
Check out the picture book reviews and book lists featured here on The Children’s Book Review
Teachers Pick the Top 25 Picture Books at Scholastic
About the author: Lori Calabrese is an award-winning children’s author. Her first picture book, The Bug That Plagued the Entire Third Grade, was awarded DFP’s Best Children’s Book Award. She writes for various children’s magazines, is the National Children’s Books Examiner at Examiner.com and enjoys sharing her passion for children’s books at festivals, schools and events. Visit her website to learn more, loricalabrese.com.
This article, How Picture Books Play a Role in a Child’s Development, was written by author Lori Calabrese. For similar articles, follow along with our content tagged with Literacy Resources and Picture Books.
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Results: We found 17 studies concerning pedagogic aspect of children literature, while 21 and17 studies were selected for didactic and therapeutic dimensions, respectively. From a pedagogic point of view, tales convey basic values useful for children lives. In a didactic perspective, properly chosen storybooks represent a valuable resource for school activities, improving students’ language skills and building up a friendly/respectful classroom environment. Children stories are also used by health professionals for therapeutic purposes (bibliotherapy) to prevent unhealthy habits and addictions, or address psychosomatic disorders. Finally, storybooks and web-based/digital stories can be an effective vehicle for health contents, to encourage the adoption of healthy lifestyles among schoolchildren.
Methods: We have searched for original articles (from 1960s to 2019), by using the following keywords: "fairytales" or "fairy tales" or "folktales" or "fables" AND "education" or"development" or "learning" or "teaching" or "school" or "curriculum" or "classroom" AND "children" or "child" or "kids" or "childhood" AND "health" or "wellbeing".
Background: Tales were transmitted from one generation to another, enriching young people with values, beliefs, imagination and creativity. Children’s literature still plays a crucial part in education as it provides knowledge and entertainment, representing a typical example of "edutainment". In this paper, we carried out a review to examine pedagogic, didactic and psychological/therapeutic dimensions of children’s literature, with the aim of highlighting its role in promoting students’ holistic development and wellbeing.
As suggested by the World Health Organization (WHO), health literacy should be incorporated in school curricula, in the context of a health-promoting classroom environment, in order to provide new generations with useful knowledge about healthy lifestyles. 11 - 13 Actually, school represents the ideal setting to perform health-related interventions and positively influence students’ wellbeing as well as their academic achievements. 14 - 16 The final goal is to involve young generations in practical actions about healthy habits (i.e. balanced nutrition and physical exercise) and prevention of risky behaviours (such as cigarette smoking, alcohol consumption, drug use) through a personal re-elaboration of health knowledge.In our previous systematic review, we have provided evidence for taking into account narrative-based strategies among the possible highly motivating approaches to encourage schoolchildren in adopting healthy eating habits since childhood. 17 , 18 More broadly, in this paper we explored the rationale for using children’s literature and storytelling in school setting to promote students’ global development and wellbeing.
Storybooks (or digital tales) are easier to understand for all children compared to abstract notions or theories, and might become special instruments for mapping the reality and conveying health contents, especially to the most vulnerable groups. 9 , 10
It is known that stories – by reproducing fictional situations that match with children’s real problems – allow them to feel comfortable and safe in difficult circumstances, ensuring emotional security and providing healthier ways to deal with internal struggles, life adversities and stressors. 7 Story-tales compensate what young people may lack, by presenting them positive patterns of behaviours and constructive models through the characters they could identify with. 8
From a didactic point of view, storybooks can provide children with new information about the world, enrich vocabulary and enhance specific language skills (in the classroom or at home), nurturing communication between the storyteller (teacher, parent or other professional staff) and the listeners. 5 , 6
Reading or listening to tales can be considered significant community practices, capable to impact on young generations, empowering and preparing them for the future. 3 Since culture is crucial for learning, stories have a fundamental part in shaping individual’s role in the society, becoming a helpful resource from didactic, psychological/therapeutic and pedagogic perspectives. 4
Myths, fables and fairytales – originally founded on oral tradition – allowed adults to communicate with young people in an uninterrupted process until nowadays. 1 Tales have been told everywhere and in every time to educate, entertain and increase individuals’ awareness about moral principles and customs, thus representing an important part of traditional heritage as well as a way to reinforce tolerance and mutual knowledge among different populations. 2
A narrative review has been carried out in order to analyze the pedagogic, didactic and psychological/therapeutic dimensions of children’s literature, highlighting the potential of narrative-based strategies in fostering students’ global development and wellbeing. Starting from January 2019, over a five-month period in the context of PhD in Human Relations Science of Bari University (Italy), we have searched on Web of Science for original articles and books, published from 1960s to 2019, by using the following keywords: “fairytales” or “fairy tales” or “folktales” or “fables” AND “education” or “development” or “learning” or “teaching” or “school” or “curriculum” or “classroom” AND “children” or “child” or “kids” or “childhood” AND “health” or “wellbeing”. We summarized definitions of health, presenting “wellbeing” (in its three dimensions of physical, emotional/mental and social health) as the main goal of every educational practice, and school system as the ideal setting to display health-related interventions. We also used citation tracking to detect other papers concerning children literature and narrative-based strategies (from oral storytelling to printed books and digital resources) as effective operational tool for conveying health contents to promote global development and wellbeing in school setting, along with the prevention of risky behaviours. Finally, we have provided brief definitions of children’s literature, presenting some historical insights about its pedagogic or didactic use, and psychological/therapeutic applications (bibliotherapy and narrative medicine).
Children’s literature is broadly defined as any creative literary work that has been especially written and designed for children’s use.19 Only in the 18th century, with the evolving of the concept of childhood, a separate genre of children’s literature was created.20 Modern children’s literature comprises short fairytales and fables, picture books, comics, cartoons, novels, nursery rhymes that can be potentially appreciated by most children.21 In our search, we selected 17 studies concerning pedagogic dimension of children literature,20,22-37 while 21 and 17 studies were chosen as addressing didactic1,5,38-56 and therapeutic dimensions,6,7,57-71 respectively ( ).
The crisis we are facing is not only economic and financial, but also political, cultural and ethical, generating anxiety and fear due to the perception of a precarious existence in the context of a growing individualism and insensitivity to other people’s difficulties. Moreover, our society measures everything in terms of monetary value, giving priority to scientific/technological knowledge and decreasing the relevance of human sciences, which have nurtured the traditional humus of citizenship education.72
Despite educational system is dealing worldwide with several challenges, school still represents the ideal setting to display interventions aimed at promoting students’ holistic development. Beyond its specific commitment, it is essential to build up healthy, respectful and satisfied citizens: the future adults capable to take care about themselves, the others and the environment.24,73
In the globalization era, characterized by deep socio-economic changes and collapse of the traditional social tissue (i.e. new forms of poverty, increase of inequalities, family mobility etc.), the cultural heritage of folktales – easily available both for parental and teachers’ use – could represent a helpful tool for promoting individual personal growth, social cohesion and sustainable development.2
Tales were told and are still told in every society and in many different settings to share experiences, customs, norms, and values, providing the listeners with entertainment and new knowledge.25 In the “culturalistic” perspective, children’s stories belong to a specific cultural niche that could help young people to move into the life, allowing them to understand who they are as human beings and how they can contribute to the progress of the world.26
Children’s literature continues to be a significant opportunity of presenting moral principles in an enjoyable and engaging way27 and it is growing fast along with the aim to entertain, educate and provide new knowledge (in line with the new concept of “edutainment”), being able to integrate fun and adventure demanded by children (simulating the activity of free play) with the adults’ objective of offering them a set of moral examples.20,28
A big part of children’s literature is represented by fairytales, which have the final goal of transmitting the basic universal values, and raising children’s awareness on many aspects of the life.29 That’s why, even before printing press was invented, fairytales have been used by parents to transmit culturally appropriate moral norms to their children from an early age, equipping them with information, attitudes, and skills that could act as a kind of “vaccination” against all kind of threats to individual or collective health.30
The most famous example fulfilling these criteria can be found in “Pinocchio”, written by Carlo Lorenzini (Collodi) to make children aware about the consequences of adopting wrong behaviours.31,32 Similarly, in Germany, the Grimm Brothers presented noble values and positive models in their amazing adventures, helping children to understand what is good and what is bad.33
Tales are very interesting for children because they show real aspects of family and community life, reinforcing the relations with the parents and highlighting ethical values related to social life.34,35 Through implicit meanings embodied in the stories, children indirectly acquire pedagogical messages, able to influence their global personality and stimulate a social sense of duty.27
Children’s stories are the place of endless possibilities, so that young people can open their mind to wide horizons, generate new viewpoints, find possible alternatives or solutions to problems, cultivating their points of strengths such as self-confidence and resilience.36
The role and importance of children’s books have changed in modern society, but even today, children’s literature (including movies and digital resources) influences our daily lives and contributes to the development of young people in a number of ways, ranging from the transmission of values to didactic purposes. The presence of digital technology represents a challenge but also an opportunity for traditional fairytales’ or fables’ existence. Digital storytelling (the combination of the art of telling stories with a variety of multimedia tools) is a helpful instrument to generate more appealing and stimulating learning experiences.37
Actually, printed publications tend to be expensive, while the Internet-based resources are a cheap alternative (usually available online for free), and might raise children’s interest towards books in many different ways. Combining narrative possibilities and technological potentials can be more powerful in terms of access to information, sharing of work, differentiated and motivated learning models. However, there is a fundamental distinction (at least in terms of establishing good relationships with educators) between watching a fairy tale on monitors (static and passive approach or even by computer-based interactive mode) and listening to a live re-telling of it.22,23,74
The didactic intention of narrative works was discovered on clay tablets in Sumerian and Babylonian texts, dated back many centuries before Aesop’s fables (successively put into Latin verses by Phaedrus). Myths initially transmitted orally became well-known throughout the Mediterranean area thanks to Greek manuscripts of Alexandrian scribes, who used them in their daily education activities. Also philosophers (i.e. Plato) introduced myths and fables in their academic lessons with students and disciples: the rules of grammar and style were learned through the stories, encouraging young scholars to create new ones. Fables of Aesop were considered as useful didactic means also in medieval schools to teach Latin and rhetoric.1
Even today, children’s literature – as integral part of primary school curriculum – could be a significant experience in the lives of children, with fables and fairytales being used as motivating teaching tools in both humanistic and scientific disciplines.38-40 Educators are aware that all creative and artistic activities, including literature – while entertaining listeners or readers – can play a fundamental role in improving students’ knowledge, but also in the acquisition of daily life skills, useful to cope with any problematic situations.41
Childhood is a crucial stage for language development,75 so it is important to make it a pleasing experience: reading or listening to stories could be a joyful way for language training, able to overcome all the possible learning barriers.42-44 Thanks to the recurring narrative passages intrinsic in the fairy tales’ or fables, child is able to deal with some complicated concepts or patterns, which require more repetitions to be better interiorized. That’s why tales are a valuable resource in teaching foreign languages and improving language skills (writing, reading, speaking and listening).45 The use of narrative in teaching foreign languages has been found to lower the level of anxiety, allowing students to take risks in the language classes, thanks to the familiarity with stories and the relaxing learning environment generated by storytelling. Therefore, telling or reading stories is a successful strategy to acquire grammar structures, syntax, new vocabulary, increasing oral/written competences, and therefore the ability to communicate effectively and successfully.46
By reading or listening to stories, students enhance their verbal proficiency and learn to accurately express their thoughts and feelings in everyday relations, making practice of peace-making skills (i.e. negotiation and discussion).47
Learning from stories can stimulate and offer promising insights in other areas of children’s cognitive development such as problem-solving and reasoning skills.48 Educators should awaken children’s interest towards reading and, at the same time, encourage them to use imagination, finding themselves inside the story; once children become attached to their favourite characters, they can reproduce them while playing, following the time chain and cause-effect relation of narrated events, so that the educational message of the stories can be better interiorized.5,49 Educators should also be aware about their own responsibility when selecting children’s books for didactic purposes (not necessarily following popular titles or “best sellers”), and read the stories in a caring and warm environment.50 Storybooks are accessible to students of all ages and can be borrowed from libraries or friends, while digital storytelling can be easily and quickly found on the Internet, even for free.51
Multicomponent narrative-based approaches integrate traditional tales or other specifically developed storybooks, with audio and video resources (including those available on the Internet), cartoons, animated films, puppets or scenic elements.23,52,53 Theatre reading or dramatization of children’s literature can be used at school to overcome the risk of short attention span of schoolchildren, and when dealing with difficult textbooks. Reader’s theatre in the classroom involve students as actors as they were really acting on the stage, while the teacher is guiding the scene and giving suggestions to the characters. In a study investigating the impact of readers’ theatre over six weeks, students assigned to the theatre class showed significant progress in reading level, compared to a control group who received more traditional literary and vocabulary education. The readers’ theatre class presented better fluidity in reading and expression, enriched vocabulary, and increased motivation compared to the control group.54 Finally, it can be said that storytelling activities (including reader’s theatre) in school setting represent innovative didactic experiences, capable to build up also health knowledge and promote students’ global wellbeing.55,56
Children’s storybooks not only provide new knowledge – by enriching children’s vocabulary and enhancing their communication skills – but also ensure emotional support during problematic circumstances of the life. Encouraging children to overcome fears and inner conflicts, tales act as promoters for change, positively influencing their social behaviour.57
When parents or teachers provide children with a book, they usually hope that they will absorb the moral values that it contains.58-60 Actually, fairytales can produce positive effects on personality development, satisfying all psychological needs of the children such as contact, entertainment, and cognitive demand. In the Freudian perspective, assuming the absence of a well-defined superego and moral standards in childhood, fairytales are useful to show proper patterns of behaviours needed by children.61
Children’s literature – as a form of artistic creativity – presents a therapeutic potential for readers and listeners, in the same way that Greek tragedy was able to “heal” the spectators.62,63 In the vision of the cathartic role of literature, we can say that it may influence children through psychological mechanisms, primarily consisting in involvement, imitation, identification, insight and universalism. Story-tales could be used in school-setting for primary prevention programs with the ultimate goal of preventing risky behaviours among young people, thanks to the potential of creative and artistic means such as specifically-developed children’s storybooks. Actually, narrative-based approach as a teaching and learning strategy is omnipresent in the classrooms, but it is infrequently used to promote students’ health.64
Literature, as well as other forms of art (music, dance, drama, drawing, painting etc.) can be used to empower and motivate children towards the adoption of healthy behaviours, contributing to the improvement of pupils’ quality of life. The educational properties of the stories allow young people to accept their own differences, while showing how the characters of the tale cope with difficulties, enabling readers to enter in a fantastic world of entertainment, and – at the story’s end – to come back into reality in a comfortable way.65
The main goal of art therapy in education is the holistic human development, to be accomplished by working on imagination, curiosity, and creativity, which represent all the basic features to be preserved in children, along with the natural needs of joy and play.66,67 Artistic activities present also the potential of breaking down cultural barriers, actively involving the most vulnerable and marginalized children, as assessed in a study examining the effect of a creative expression program designed to prevent emotional and behavioural problems in immigrant and refugee students attending multi-ethnic schools.76 This vision has been already adopted by the famous violinist Menuhin and his Foundation, to help vulnerable and disadvantaged children by using music and other form of arts.77
Within the broad umbrella of art therapy, we can find “library therapy”, which S.M. Crothers in 1916 has turned into the term “bibliotherapy”, characterized by the fact that the treatment is carried out by the means of literature, using books to foster individual emotional wellbeing. Understanding the principles and practices of bibliotherapy is essential for teachers and educators, working with children, who may take benefit from the exposure to reading materials related to their specific problems.
The “healing” potential of books was known since the time of the ancient Greece and even before: Ramses II in Egypt identified a group of books in his collection as “remedies for the soul”. Aristotle and other Greek philosophers believed that literature could deeply heal people, while the ancient Romans recognized the existence of a relationship between medicine and reading, with Aulo Cornelius Celso explicitly associating the reading with medical treatment. This attitude towards therapeutic opportunities of books was cultivated even in the Middle Age and Humanism/Renaissance times, but also in the late eighteenth century books were proposed as a remedy for different types of illnesses. Today, literature is somehow considered as psychological therapy, especially in childhood, and even as a cure for psychosomatic disorders.6
In the therapeutic approach, bibliotherapy includes also discussion and reflection on the story’s topics that overlap with the individual needs and have an evocative function that relies on projection and identification mechanisms. Proper storybooks work as a strategy for attitudinal change and self-improvement, acting through a compensatory function in children who lack of positive experiences which are often missing in their family or community.68 Therapeutic reading can also represent a form of prevention as the readers acquire a more flexible mind to recognize problems and eventually ask for help. There are books that address questions concerning physical appearance, emotions and character traits, family relationships, and socioeconomic problems.69 Bibliotherapy can be also applied in the field of psychotherapy for the treatment of minor disorders, eating behaviours and some forms of addictions, from alcohol and tobacco to drugs and ludopathy.7
Narrative medicine, an emerging discipline in healthcare field – which embraces medicine, psychoanalysis and literature – is used to overcome individual traumatic experiences. It helps patients and health professionals to tell and listen to the complex and unique stories of illness through an active approach (subjects are invited to compose poetic or literary pieces) or passive mode (consisting in reading already existing pieces).70,71
Health is defined by WHO Constitution as “a state of complete physical, mental and social wellbeing”.78 WHO has demonstrated that many early deaths can be avoided if each stakeholder in the society takes its piece of responsibility in promoting healthy lifestyles.79 Health promotion and prevention represent two sides of the same coin being both focused on proactively maintaining people healthy.80 Primary prevention should start as early as possible and school has the opportunity to guide people since childhood on the right path towards healthy life. Actually, education and health are intertwined, and it is undoubtable that wellbeing has also a remarkable impact on students’ learning outcomes. School represents the ideal setting to convey proper contents about risk and protective factors81 by using motivating approaches (including “teaching narratively”), able to capture the interest of pupils and generate a harmonic and non-competitive learning environment.82 Narration can be regarded as an interesting way to trigger students’ motivation82 and develop a “narrative thinking”, which is fundamental for every human experience, including learning and interiorization processes.83-86 Specifically developed storybooks can foster children’s self-responsibility towards health and stimulate critical thinking about the consequences of adopting risky behaviours (i.e. unhealthy eating habits), thanks to psychological processes based on the identification with the characters of the stories.17 Actually, children literature and storytelling have been proved to be effective in specifically conveying health knowledge: the persuasive effects of narrative engagement have been illustrated in many researches and reviews.87-95 De Graaf et al have specifically performed a systematic review of 153 experimental studies on health-related narrative persuasion with a focus on the narrative characteristics as potential explanatory factors in the effectiveness to convey a health message.87,88 The results showed that stories that presented a healthy behaviour were more often associated with effects on the intention to adopt it, and stories with high emotional content were usually more effective, as well as the use of a first or second-person perspective in the text. No differences were observed between the media used for the narrative intervention (book or video etc.), while the familiarity of the setting and the way of displaying the health message in the narrative was found to be a promising persuasive factor.88 Shen and Han assessed 25 studies comparing narrative to non-narrative messages, showing a significant effect of narrative for primary prevention and detection of risky behaviours, but not for cessation of negative attitudes (e.g., quitting smoking).89 Zebregs et al included 15 studies that recorded positive persuasive effects of narrative.91 Braddock and Dillard metanalyzed 74 studies that compared narrative-based interventions to a control group that did not receive any relevant message.92 Their results showed that, compared to a baseline zero-effect, narrative had positive effects on story-consistent beliefs, attitudes and intentions. By reviewing 45 studies, Tukachinsky et al concluded that engagement with the narrative and its characters was positively related to attitudes and intentions implied by the narrative itself.93 Other authors have focused on the persuasive effects resulting from the “transportation” into a narrative world: when children read, they “enter” into tales and act out together with the characters.94 Dahlstrom et al have shown that it is important to consider whether the persuasive message is integrated in the causal structure of the narrative or not.95 Stories with two opponent main characters seem to have an impact on narrative persuasion in the context of social issues, while tales presenting a transition of the characters from unhealthy to healthy behaviour may be particularly beneficial.90 Moreover, the content and form of the narrative - such as characters, events, and the setting of the story - are very important: characters can be more or less similar to the readers, thus producing a different persuasive effect.96,97 A further dimension relevant to health-related “narrative persuasion” is the context of the presentation used in the narrative: an entertainment format where the reader is unaware that the narrative has a persuasive intention or a narrative frame in which the persuasive intent is more explicit.98-100 In addition to narrative characteristics, variables related to target recipients – like the predisposition to become engaged in narratives and prior knowledge of the readers – as well as the environment/situation in which the story is narrated may increase or reduce the engagement and effectiveness of narrative-based interventions.101,102 Most likely, the full process of persuasion is determined by the interaction of narrative, recipient and situational factors (such as noise in the environment) that can distract the student and decrease engagement. It should be emphasized that contents of the stories must be close to the children and the main character’s mental states needs to be as much as similar to the feelings of the child. Finally, it seems that multicomponent approaches including printed stories or tales told by a health educator in a face-to-face settings (i.e. live storytelling) can produce effects on beliefs, attitudes, intentions and even on the behaviours of recipients.103
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